The strangest thing about the accident that ended my life is that I survived it, but not as me. I had become “someone else,” as opposed to a freelance writer named Judith Hannah Weiss, a person I lived with for 56 years.
I pointed to a chair because I couldn’t say “chair.” I did the same with a shoe. I needed words I couldn’t find to say things I couldn’t say. That is called aphasia. I also couldn’t read or write.
I began making drawings of birds. I had a brace on my right hand so I used my left hand to stick a brush, or pen, or razor in the brace, then drew, painted, cut and glued by moving my right wrist.
I began making very small collages, about 2 1/2 inches square. I liked making things that stayed themselves.
I got into three dimensions, using salvaged wood and began building homes for birds. The homes hatched 1,200 babies a year.
About five years post-accident, I began painting birds. They have carved three-dimensional bodies and countless layers or “feathers of color and light.”
I began scratching anything I could recall on any surface I could find – paper plates, paper cups, placemats, napkins, coffee stirrers and Popsicle sticks. I called them “scraps.”
They were not in alphabetical order, not in numerical order, not in chronological order, but out of order, like me. I stuffed them in brown paper shopping bags, then stashed the bags in a closet. A few years later, I built a book from scraps. But I had also lost my agents. No agents, no book.
I'm a continuing fan of your writing. Please, keep at it.
The part of me that is now being played by someone else is such a fascinating statement on many levels. You are still the essential 'you' observing this though. In many ways ageing is like this too but just not in the sledgehammer way you have had to endure this. I really love your writing Judith - and your artwork.